Following the digital release of his new album “Second Lives”, Glasgow-based drummer and composer Graham Costello has announced that he will be performing a livestream concert with his ensemble STRATA, from The Roxy, Edinburgh on 16th July. The concert is set to take place the same day as the vinyl release of his latest album comes out on Gearbox Records and comes ahead of his London album launch show at Ronnie Scott’s on 27th July.
The livestream will take place at 7PM BST and will be available to watch via Graham’s YouTube and Bandcamp page, as well as both Graham and Gearbox Records’ Facebook pages. The stream will be recorded by Stevie Cossar and filmed by Samuel Hurt.
Graham’s new album was co-produced by legendary 4-time Grammy Award-winning producer Hugh Padgham, who is renowned for his work with a wide-range of seminal artists such as Phil Collins, XTC, Genesis, Peter Gabriel, Brian Wilson, Paul McCartney and many, many more. Despite Hugh Padgham-produced records tallying stratospheric sales and streaming figures, “Second Lives” marks the first new material he has worked on in almost a decade.
A band leading the surge of new Scottish jazz artists into the UK scene, STRATA is made up of some of Scotland’s most exciting musical proponents. Led by Graham, the band features: pianist Fergus McCreadie, whose critically acclaimed new solo album just came out via Edition Records; guitarist Joe Williamson, who was named Young Scottish Jazz Musician Of The Year in 2018 and leads hard-hitting 5-piece Animal Society; rising Trombonist Liam Shortall, who leads jazz collective corto.alto; saxophonist Harry Weir, who also leads self-proclaimed “doom-jazz” outfit AKU!; and renowned bassist Mark Hendry.
Drummer and composer Graham Costello formed STRATA in 2016 – an ensemble which brings together stylistic elements of minimalism, jazz and noise-rock whilst channelling a strong DIY ethic. This ethic came from Costello’s involvement in the Scottish DIY / indie scene, growing up touring all over Europe with noise rock and psych bands, and experiencing the amazing warmth and breadth of the continental independent music scene. It was his formal studies in jazz that then led to the conception of STRATA – a band that would bring the two worlds together.
2019 brought the release of their debut album “OBELISK”, which was nominated for the prestigious Scottish Album of the Year Award and saw the band named as one of Jazzwise’s Ones To Watch. As well as earning plaudits across a wide array of press and radio, the album also led to the group’s signing to London label Gearbox Records (Binker and Moses, Abdullah Ibrahim, Theon Cross, Sarathy Korwar, Chihei Hatakeyama, Bastien Keb), who they also released two standalone singles with last year.
Whereas “OBELISK” was largely intended for open interpretation for the listener, the new album “Second Lives” is far more inward facing. Speaking on this more personal direction, Graham says “my evolution as a person aligns with my evolution as a musician.” The inspiration and wider themes of “Second Lives” sit with thoughts of identity, heritage, and Stoicism, as well as the theme of overcoming inner challenges – what you face and the process you go through to get to the other side. That latter narrative runs all throughout the album, from start to finish, and could be seen as the greater theme, with some pieces also exploring those initial concepts.
The subject of heritage is also highly important to the album. Graham has Burmese-Indian ancestry on his mother’s side and has been exploring his family tree:
My mum found a photo of her “Nana” recently and sent it to me. She was an entirely different ethnicity from me, wearing clothes I’d never seen a family member wear, and yet we saw a remarkable resemblance down the family tree to my mum and then to me. Many other people around the world will have similar stories, and I just find it all fascinating.
As there is no singing or lyrics, the music ultimately expresses Graham’s interpretation of how these themes feel. As a result, “Second Lives” finds his compositions more texturally Daedalian and stylistically experimental than ever before. From the multi-faceted Reichian workout “Impetu”, right through to the gentle yet pensive “Circularity”, the album is filled with high-energy polyrhythms, improvisation and borderless musical exploration. There is a delicate balance to be found between the band’s sincere moments of fragility and their capability for unrelenting and driving intensity, and it is in these moments of tension and release, and the oblique in-between, that Graham Costello creates some of his most emotive and thought-provoking output to-date.