A.C.E by Sarah-Jane Henderson

Application of colour. Couching. Engagement

The collection draws inspiration from my research around emotional health and well-being of young people today. She takes her colourful palette from childhood play and Buddhist artefacts. While the graphic repeats are controlled depictions of the unpredictable shapes, from biological representations of the human body.

Research tells us, trauma and aversity experienced during the early years of childhood have implications on the developing brain. This effecting our emotional health and wellbeing, along with the ability to form and sustain relationships. As a result this makes doing society ‘properly’ almost impossible. When young people are seen not engage or described as ‘problematic’ society often responds by ostracising them. This becomes even more problematic for the individual and subsequently society. While the ACE movement sweeps Scotland this collection asks that we stop asking ‘why are you bad?’ and instead ask ‘what happened to you?’

Whilst mixing a technological process or laser cutting and pushing traditional hand embroidered techniques, such as applique, couching and wrapping, this collection , invites the viewer to engage by taking a closer look beyond the surface, maybe then a deeper understanding can be had. As there is more to what is just seen on the surface. Perhaps society could do the same when young people are ‘problematic’ and help create environments where positive, sustainable relationships can flourish. Providing a platform where the ‘problematic’ young person can visualise a positive self.

~ Sarah-Jane Henderson

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Sara Jane Henderson

Hello, I am Sarah-Jane and I have two beautiful children. I have been drawing and making for a very long time and in 2014 I returned from Australia, and in 2015 I decided that it was my perfect time to return to my studies and have recently gained a Batchelor of Arts with Honours in Textile Design, specializing in Embroider with a First Class.

With my love for making beautiful things, particularly with a hands-on approach, my practice explores colour,traditional techniques with a contemporary application, pattern, tactile surfaces and a strong focus on visual impact.

At the core of my practice is my vast interest in the current epidemic of poor emotional health and well-being of young people today. The purpose of my practice is to create a dialogue of the importance of positive relationships and empathy for those you find themselves ostracised from society

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